anātman — A Photography Exhibition
Without self, without core. Nothing is eternal, everything changes from moment to moment, and what stays is connection, gratitude, and a compassion that reaches the living and the non-living alike.
Photography
I have always felt that I “fail” at storytelling through still images. A split-second photograph, especially a documentary or journalistic one, can speak more deeply than a film, or even a book, and I have not yet made one that powerful. But as a way of carrying feeling, photography never fails, especially when the feeling is not dramatised. Honest, and as it is.
Photography is not my profession. It is the practice I keep coming back to, the one I make with no brief but my own. That is also why there is so little of it here: the film work rarely stops, and these pictures are made in the gaps it leaves.
The portraits are made on medium format 120 film, 6×6. The other work is not.
Without self, without core. Nothing is eternal, everything changes from moment to moment, and what stays is connection, gratitude, and a compassion that reaches the living and the non-living alike.
Women with disabilities restore the mangrove forest of Tuwed, on the west coast of Bali. Sixteen photographs on 6×6 medium format film, about the bond between people, nature and the Divine.
One slow morning with my nephew and niece, Rio and Kirana, before school. Nineteen photographs and a short essay on dharma as reality, and on being present for mornings that never come back.
Seven weeks of fieldwork documenting birth, death and marriage rituals in Toba, Karo and Mandailing. My contribution to the exhibition was not photographs but a 40-minute documentary, screened inside the gallery.
Eighty-seven photographs on the daily life, labour and hopes of the sulphur miners of Kawah Ijen, Banyuwangi, made with Tim Tanah Air for International Labour Day.
My first exhibition: the graduating work of the twelfth GFJA photojournalism workshop, thirty-two photographers, opened by Asro Kamal Rokan.
Portraits of people, some close to me and some I met by chance, made on medium format 120 film, 6×6.