Mahatma Putra — documentary

Commissioned

Commissioned work

Most of what I film is made under a brief. I have never treated that as a separate practice.

A film can be paid for by a brand and still hold to the discipline of reporting: you go to the place, you film what is actually there, and you do not ask anyone to say a line they do not mean. Five of my films with BBC StoryWorks were made exactly that way: advertorial in purpose, journalistic in method. The two are further apart in reputation than in practice, as long as you stay honest with yourself about which one you are doing.

I also do not accept that everyone on the client side is working in bad faith. People inside companies are people; they want something good, however relative that word is, for themselves and for those around them. Anatman Pictures screens for this before a project begins. We are a certified B Corporation, among the first production houses in Southeast Asia to hold the certification, and that standard rules out extractive industries. Over the years, the companies who come to us are already standing on similar ground: Gojek, Amartha, FDC Dental Clinic, companies built on some idea of a better Indonesia rather than a campaign about one. It is also what separates Anatman Pictures from most documentary houses here: our clients are not only NGOs and international news desks.

Then there is a third kind of work: very large organisations with really complicated things to say. A corporation is not one voice. It is many divisions, and some of them carry messages about fairness and access that deserve to be told properly. When the client is one we can stand behind, the film gets the same attention any film of my own would get. The inDrive documentary is one of those. So is the body of branded documentary work we have made with Google since 2017.

None of it is on this site. The complete body of commissioned work, far larger than everything here put together, lives where it belongs, at anatmanpictures.com.

One practical note. Commissioned film work reaches me only through Anatman Pictures. That is the only door, and it is deliberate. Photography is the exception: those assignments I can take on directly.

Advertising awards

2025
Citra Pariwara 38 — Nominee, Film Craft: Best Use of Audio · Satu Ekosistem Keuangan untuk Semua, Amartha
Citra Pariwara 38 — Nominee, Film Craft: Best Casting · Satu Ekosistem Keuangan untuk Semua, Amartha
Citra Pariwara 38 — Nominee, Film Craft: Best Casting · Lindungi Diri Sebelum Terlambat, VIDA
2024
Pinasthika Creativestival XX — Bronze, Craftsmanship: Directing · I am Itam — Inner Drive of Indonesia, inDrive with Indigo View — director
Cannes Corporate Media & TV Awards — two Gold Dolphins (Web Documentaries; Branded Documentaries) and two Silver Dolphins (Webisodes; Branded Content Videos) · Inner Drive, inDrive with Indigo View — director, Indonesian chapter
2023
Citra Pariwara 36 — Bronze, Film Craft: Directing · Merantau, Cerita Birkenstock for Birkenstock with animal3creative — director
Citra Pariwara 36 — Finalist, Film Craft: Directing · Menemukan Kehangatan Keluarga, Cerita Birkenstock for Birkenstock with animal3creative — director
Citra Pariwara 36 — Finalist, Film Craft: Use of Audio · Harmony for Shared Prosperity, Amartha with Tenggara — executive producer
2022
YouTube — Silver Creator Award (Silver Play Button), May 2022 · Anatman Pictures channel, 100,000 subscribers
2020
Citra Pariwara 33 — Finalist, Film Craft: Directing · #YukMoveOn, Google Indonesia with Superson Official & Maker Lab — director
Citra Pariwara 33 — Speaker, masterclass · The Art of Docuseries
2017
AdFest — Finalist, Lotus Roots · HIJUP #EmpowerChange, HIJUP — director, cinematographer and editor
2016
Citra Pariwara — Gold, Film · HIJUP EmpowerChange, HIJUP — director
Citra Pariwara — Silver, Digital: Online Videos · HIJUP EmpowerChange, HIJUP — creative director
Citra Pariwara — Finalist, Film · Ayo Bangun Indonesia untuk Bangsaku, GO-JEK — director
Citra Pariwara — Digital Agency of the Year, third rank · Anatman Pictures